The 25 Best Animated Movies for Adults, Ranked
March 22, 2026 | Film Chop
The 25 Best Animated Movies for Adults, Ranked
Somewhere along the line, animation got filed under “children’s entertainment” in the Western cultural imagination, and it’s been stuck there ever since. Ask someone to name their favorite animated movie and they’ll usually apologize first. “I know it’s a cartoon, but—”
No. Stop. There is no “but.”
Grave of the Fireflies is one of the greatest war films ever made. Perfect Blue is a psychological horror film that influenced Darren Aronofsky. Waltz with Bashir received an Academy Award nomination for Best Foreign Language Film. Persepolis is one of the most intelligent films about exile and identity in the last 30 years. All of them are animated. None of them are for children.
The best animated movies for adults don’t require you to lower your expectations. They require you to raise them — because these films are operating in a medium that removes every constraint of the physical world, and the best ones use that freedom to go places live-action cannot reach: the inside of grief, the logic of dreams, the visual grammar of a society collapsing in real time.
This is Film Chop’s ranked list of the 25 best animated movies for adults. Studio Ghibli masterworks, Pixar films that hit differently at 35 than they did at 12, indie animation that goes places live-action won’t, and anime that long ago outgrew the assumption that cartoons are simple. Streaming information included for every entry.
Why Animation Isn’t Just for Kids
The “animation equals children” equation is a North American peculiarity. In Japan, the animated film is simply a film. Hayao Miyazaki’s work plays to audiences of every age without condescension to any of them. In France, Persepolis was released as a mainstream art film. Waltz with Bashir screened at Cannes. Flee — a documentary about an Afghan refugee’s journey, told in animation because the subject couldn’t show his face on camera — was nominated for Best Documentary Feature, Best Animated Feature, and Best International Feature Film simultaneously. The same film. Three categories.
The assumption that animated films are for children is a category error. Animation is a medium. It can contain any story. The films below are the proof.
Studio Ghibli: The Adult Masterworks
1. Grave of the Fireflies (1988)
Director: Isao Takahata | Studio: Studio Ghibli | Streaming: Max, Netflix
The film that ends the argument. Isao Takahata’s adaptation of Akiyuki Nosaka’s semi-autobiographical novel follows two children — teenage Seita and his young sister Setsuko — trying to survive the final months of World War II in Japan after their mother is killed in a firebombing. It is, bar none, the most devastating anti-war film ever made. Roger Ebert said so. He was right.
Grave of the Fireflies was released on a double bill with My Neighbor Totoro in Japan — a choice that reads now as an act of extraordinary cruelty, or extraordinary honesty about what animation can hold simultaneously. Totoro is a film about imagination as a shelter from anxiety. Grave of the Fireflies is about what happens when there is no shelter at all.
There is no redemption arc. The film opens with Seita’s death and works backward. You spend the film understanding exactly how you got there, and then you sit with it. This is not a children’s film. This is a film for adults who can bear to look.
Why it’s for adults: Grief, starvation, the moral weight of wartime complicity, and the complete absence of a rescue.
2. Princess Mononoke (1997)
Director: Hayao Miyazaki | Studio: Studio Ghibli | Streaming: Max, Netflix
Miyazaki’s most morally complex film — which is saying something — refuses every clean resolution. A young warrior enters the conflict between industrializing humans and the ancient forest gods, and the film refuses to give him a side to stand on. San, the wolf girl, loves the forest and despises humans without contradiction, and Miyazaki validates her without making her wrong. Lady Eboshi, who leads the ironworks consuming the forest, is simultaneously a villain and a woman who liberates outcasts and lepers. Both are right. Both are destroying something irreplaceable.
Princess Mononoke is an adult film because it understands that most real conflicts don’t have clean antagonists. It’s also an action film of genuine ferocity — the battle sequences are extraordinary — and an ecological argument that has only grown more urgent in the 30 years since its release.
Why it’s for adults: Moral ambiguity without resolution, political complexity, and graphic violence that serves the story’s weight rather than decorating it.
3. Spirited Away (2001)
Director: Hayao Miyazaki | Studio: Studio Ghibli | Streaming: Max, Netflix
The greatest animated film ever made. Children love it because it’s an adventure. Adults love it because it’s about labor, identity theft, and what you become when circumstances strip your name away. Chihiro loses herself in the spirit world — literally, her name is taken — and earns herself back through work and loyalty and the refusal to forget who she is.
It won the Academy Award for Best Animated Feature in 2003. It’s still the only non-English-language film to win the Annie Award for Outstanding Achievement for Animated Feature Film. It sits on nearly every major critics’ list of the best films of the 21st century — not the best animated films, the best films. Full stop.
Why it’s for adults: The best animated movies for adults don’t exclude children — they work simultaneously on different frequencies. Spirited Away at 10 is a journey. At 35, it’s about not letting the world rename you.
4. Nausicaä of the Valley of the Wind (1984)
Director: Hayao Miyazaki | Studio: Topcraft | Streaming: Max, Netflix
Technically pre-Ghibli, spiritually the founding document of everything the studio became. In a post-apocalyptic world where a toxic jungle is slowly reclaiming a ruined civilization, Nausicaä discovers that what looks monstrous may be the planet healing itself — and that the humans fighting to survive may be the actual existential threat.
Miyazaki’s ecological intelligence is at its most uncompromising here: he’s not making a film about environmentalism, he’s making a film about the catastrophic consequences of treating the natural world as an obstacle to human ambition. At 1984 he was already seeing what we’ve spent 40 years trying to process.
Why it’s for adults: Post-apocalyptic ecology, political violence, and the courage required to be right when everyone else is choosing convenience.
5. The Wind Rises (2013)
Director: Hayao Miyazaki | Studio: Studio Ghibli | Streaming: Max, Netflix
Miyazaki’s semi-retirement film and his most explicitly adult work: a fictionalized biography of Jiro Horikoshi, the engineer who designed the Mitsubishi Zero fighter plane used in World War II attacks. A film, in other words, about a brilliant man whose life’s work was used to kill people, made by a director who has said repeatedly that he is ashamed to have been born Japanese.
The Wind Rises doesn’t resolve this contradiction because the contradiction can’t be resolved. It is a film about devotion to a craft and the complicity that attaches to talent when talent serves power. It is also a love story of extraordinary tenderness, and a meditation on dreams — literal and figurative — in a world that destroys them.
No child will understand this film. Most adults will find it haunting.
Why it’s for adults: Moral complicity, professional ambition vs. ethical consequences, and grief that arrives too slowly to be dramatic.
Psychological & Horror Animation
6. Perfect Blue (1997)
Director: Satoshi Kon | Studio: Madhouse | Streaming: Funimation, Crunchyroll
Satoshi Kon’s debut is a psychological horror film about fame, identity, and the violence of obsession, animated with a revolutionary approach to subjective reality: the film refuses, repeatedly, to tell you whether you’re watching a performance, a memory, or a delusion. Darren Aronofsky licensed a shot from it for Requiem for a Dream.
Mima Kirigoe leaves her J-pop group to become an actress and is methodically stalked by a fan who prefers the version of her that no longer exists. Her sense of self — and the film’s sense of its own reality — dissolves in parallel. Perfect Blue is one of cinema’s most harrowing depictions of psychological disintegration, full stop. Not “harrowing for animation.” Harrowing.
Why it’s for adults: Psychological horror, stalking, identity dissolution, sexual violence themes — this film requires adult processing and rewards it.
7. Paprika (2006)
Director: Satoshi Kon | Studio: Madhouse | Streaming: Crunchyroll, Tubi (free)
Kon’s final completed film is a sci-fi thriller set in a world where therapists can enter patients’ dreams, gone wrong in layers of nested unreality. Its dream sequences operate on genuine oneiric logic — images that transition by association rather than causality, a carnival that swallows the city whole, a parade of the unconscious that turns threatening before you notice the shift.
Christopher Nolan has acknowledged this film’s influence on Inception. Watching them back to back shows exactly what Nolan gained in clarity and what Kon gave up for it. Paprika is stranger, denser, and more committed to the experience of dreaming rather than the plotting of it.
Why it’s for adults: Surrealist psychological thriller that requires — and rewards — active engagement with layers of unreliable reality.
Documentary & Political Animation
8. Waltz with Bashir (2008)
Director: Ari Folman | Studio: Bridgit Folman Film Gang | Streaming: Kanopy, Criterion Channel
An Israeli director cannot remember where he was during the 1982 Beirut massacre. He interviews fellow veterans to reconstruct a memory that his mind has apparently chosen to erase. Waltz with Bashir is an animated documentary that won the Golden Globe for Best Foreign Language Film and received an Academy Award nomination in the same category. The animation style — rotoscoped from live interviews, then rendered in a dreamlike graphic novel aesthetic — is the only format that could have worked. To recreate the massacre with live footage would be exploitative. Animation creates the distance that makes the horror bearable and the guilt legible.
The final two minutes of Waltz with Bashir switch to archival footage. The effect is almost unbearable. Everything that came before it — the animated unreality, the fragmented memory — is revealed as the mind’s last mercy before facing what actually happened.
Why it’s for adults: War crimes, suppressed memory, collective guilt, and one of the most devastating endings in documentary cinema.
9. Persepolis (2007)
Director: Vincent Paronnaud & Marjane Satrapi | Studio: 2.4.7. Films | Streaming: Criterion Channel, Tubi (free)
Marjane Satrapi’s autobiographical film — an Iranian girl who lived through the Islamic Revolution, studied abroad in Vienna, returned, left again — rendered in stark black-and-white that mirrors the impossible moral clarity the world demands of people who exist at historical fault lines. Persepolis is one of the most intelligent films about exile, identity, and the particular exhaustion of belonging nowhere fully.
It is also funny in a very specific way: dark, wry, capable of holding tragedy and absurdity in the same frame. The animation style, transferred directly from Satrapi’s graphic novel, is instantly recognizable and unexpectedly emotional. The choice to make this film animated was not aesthetic decoration; it was the only format in which Satrapi’s visual storytelling could survive translation.
Why it’s for adults: Political revolution, exile, identity politics, and the complexity of living between cultures that each claim you incompletely.
10. Flee (2021)
Director: Jonas Poher Rasmussen | Studio: Final Cut for Real | Streaming: Hulu, Prime Video
The film that made the Academy create a rule: Flee was nominated for Best Documentary Feature, Best Animated Feature, and Best International Feature Film — three categories, one film. No film had accomplished this before. The subject, Amin Nawabi, is an Afghan man who fled as a child via Russia and Estonia. He agreed to tell his full story for the first time on one condition: that he not be shown on camera. The animation was the solution to a documentary problem. It is also, unexpectedly, the source of the film’s emotional power.
Flee is a film about the stories we construct to survive, the identities we shed and keep, and what it costs to finally tell the true version. Animation allows Nawabi’s memories to be rendered as he experienced them — not as a camera would have recorded them, but as a child’s mind processed them.
Why it’s for adults: Refugee experience, identity, sexuality, and the long costs of survival over decades.
Mature Pixar: Films That Hit Differently at 35
11. WALL-E (2008)
Director: Andrew Stanton | Studio: Pixar | Streaming: Disney+
The first 40 minutes of WALL-E are nearly silent: a small trash-compacting robot alone on an abandoned Earth, collecting curiosities, watching Hello, Dolly!, falling in love with the idea of holding hands. It is a film about radical loneliness and environmental catastrophe structured as a romance, and it shouldn’t work at all, and it works completely.
Children love WALL-E the character. Adults feel the film’s actual argument: that consumer culture is a mechanism of self-destruction, that we are already on our way to the Axiom, that beauty is worth preserving even when no one is watching. The film is a G-rated ecological horror film that is also a love story. Nothing else in American animation exists in this space.
12. Soul (2020)
Director: Pete Docter | Studio: Pixar | Streaming: Disney+
Pixar’s most philosophical film asks, with considerable nerve: what is a life worth living for? Joe Gardner, a jazz musician on the cusp of his breakthrough moment, dies before he gets there — and in the film’s bureaucratic afterlife, has to argue for the value of his own unlived future.
The film’s conclusion is quietly radical for a mainstream animated work. It refuses the expected triumph in favor of something more honest: the realization that the life you’ve been living, in all its ordinary specificity, was already the point. That jazz, and teaching, and the sky, and a slice of pizza were already enough. Most adults who see this film will need a moment afterward. Children will ask if there’s a sequel.
13. Up (2009)
Director: Pete Docter | Studio: Pixar | Streaming: Disney+
The first four minutes of Up are the most efficiently devastating sequence in American animation: a wordless montage of a marriage, a life, a shared dream deferred, and a loss. Children understand that something sad happened. Adults understand exactly what was lost, beat by beat, year by year. The film earns its extraordinary opening by spending the rest of it as a meditation on whether a life can still be meaningful after the person who gave it meaning is gone.
The answer is yes. But the film doesn’t hand it to you cheaply.
14. Turning Red (2022)
Director: Domee Shi | Studio: Pixar | Streaming: Disney+
The most divisive Pixar film in years and one of the most alive. Meilin Lee is a 13-year-old Chinese-Canadian girl who turns into a giant red panda whenever she feels intense emotion — which is always, because she is 13. The film is a precise, funny, and bracingly specific account of puberty, parent-child enmeshment, and the particular experience of a body that stops being only yours.
Adults who understand what Domee Shi is actually depicting — and the specific cultural dynamics of a first-generation immigrant mother who has subsumed her own identity into her daughter’s — will find this film extraordinary. It is not a film about being 13 in the way children’s films are about being 13. It is a film about the years when you discover that your parents are fallible, and the grief and liberation of that discovery.
Indie & International Animation
15. Spider-Man: Into the Spider-Verse (2018)
Director: Bob Persichetti, Peter Ramsey, Rodney Rothman | Studio: Sony | Streaming: Netflix, Peacock
The most significant technical achievement in American animation since Toy Story, full stop. Spider-Verse created an entirely new visual language — multiple frame rates within the same film, halftone dot textures from the comic-panel tradition, onomatopoeia that exists in three-dimensional space — and used it to tell the story of Miles Morales: a Black and Puerto Rican teenager discovering what it means to claim a legacy that wasn’t built for him.
The film’s argument — that anyone can wear the mask, that originality is not deviation from tradition but the only authentic form of continuation — applies to animation itself. This film is what animation can be when freed from the assumption that formal innovation is too much to ask an audience.
16. Wolfwalkers (2020)
Director: Tomm Moore & Ross Stewart | Studio: Cartoon Saloon | Streaming: Apple TV+
Cartoon Saloon’s Irish folklore trilogy — The Secret of Kells, Song of the Sea, Wolfwalkers — is the most sustained body of work in contemporary hand-drawn animation, and Wolfwalkers is its sharpest entry. A young English girl in Cromwellian Ireland befriends a wolfwalker — a girl whose spirit runs with wolves while her body sleeps — and is forced to choose between the colonizing order she was raised in and the wild world it intends to destroy.
The visual design is unprecedented: rigid ruled lines for the English settlement, loose organic brushwork for the forest. The stylistic shift is itself the political argument. Cartoon Saloon is the greatest animation studio currently working that most people haven’t heard of, and this film is why that should change.
17. Akira (1988)
Director: Katsuhiro Otomo | Studio: TMS Entertainment | Streaming: Funimation, Crunchyroll
The film that introduced Western audiences to the scope of what Japanese animation could be. Otomo’s Neo-Tokyo — a cyberpunk megalopolis rebuilt after nuclear annihilation — is rendered in 2,212 individual storyboard images, with hand-drawn crowd scenes of hundreds of figures, motorcycle chases at night rendered with physical accuracy, and a city literally tearing itself apart in real time.
Akira is sometimes confusing because it’s adapting a 2,200-page manga into two hours. The confusion doesn’t matter. The sensation of it — the speed, the dread, the scale of human hubris and its consequences — is complete. No film in 1988, animated or live-action, looked like this. Very few have caught up since.
18. Coraline (2009)
Director: Henry Selick | Studio: Laika | Streaming: Peacock, Paramount+
The most unsettling film Laika has made — stop-motion animation pushed into psychological horror territory with extraordinary precision. Coraline discovers a secret door to a mirror world where everything is better: parents who pay attention, food that’s delicious, a sky full of wonder. The price of staying is to let the Other Mother sew buttons over her eyes.
The horror of Coraline is the seductiveness of wish-fulfillment: the film understands that the thing we want most can be the thing that destroys us, and it renders this in tactile stop-motion so precise you can see fingerprints on the puppet faces. The uncanny physical reality of the medium is the source of the film’s power.
Why it’s for adults: Psychological horror, themes of neglect and the vulnerability of love-starved children, and a villain who offers exactly what the protagonist needs in the most dangerous possible way.
19. The Tale of Princess Kaguya (2013)
Director: Isao Takahata | Studio: Studio Ghibli | Streaming: Max, Netflix
Takahata’s final film and his most formally radical: a loose adaptation of the oldest Japanese narrative, The Tale of the Bamboo Cutter, rendered in a style that deliberately echoes Japanese brush painting — rough, kinetic, deliberately unfinished. The animation moves as emotion moves, the brushstrokes loosening and rushing during moments of grief or panic, tightening into stillness during moments of formal constraint.
The story is of a girl who comes from the moon to live as a human woman, and discovers that human life — beauty, seasons, transience, love, loss — is exactly as painful and as precious as it was described to her. The ending is one of the most quietly heartbreaking sequences in Ghibli’s catalog. Kaguya requires patience and rewards it enormously.
20. The Red Turtle (2016)
Director: Michaël Dudok de Wit | Studio: Wild Bunch/Studio Ghibli | Streaming: Mubi, Criterion Channel
A Studio Ghibli co-production and one of the strangest, most beautiful films in the catalog: a dialogue-free parable about a man shipwrecked on a deserted island, a red turtle that keeps destroying his rafts, and the life they build together over decades. There are no words. None are needed.
The Red Turtle is about impermanence, acceptance, and the particular grace of surrendering to a life you didn’t plan. It is drawn with a simplicity that requires great skill to achieve and is moving in a way that requires the absence of exposition to work. No child will know what to do with this film. Adults who are ready for it will find something close to a religious experience.
21. Fantastic Mr. Fox (2009)
Director: Wes Anderson | Studio: Regency Enterprises | Streaming: Disney+, Hulu
Wes Anderson’s stop-motion adaptation of Roald Dahl is the film where his formal obsessions — symmetrical compositions, suppressed emotion, color-coded anxieties, the tragicomedy of ambition — found their perfect medium. The puppets can’t do naturalistic performance, which turns out to be exactly right for characters who are themselves performing at all times.
Mr. Fox is a mid-life crisis comedy dressed in a children’s story: a man who gave up adventure for security, discovers he can’t stay settled, and nearly destroys everyone he loves proving it. The film is funnier and sadder than any description of it suggests. “I think I have a pretty good bead on who I am” is one of the great cinematic self-delusions, delivered by a stop-motion fox in a corduroy suit.
22. Anomalisa (2015)
Director: Charlie Kaufman & Duke Johnson | Studio: Starburns Industries | Streaming: Paramount+, Showtime
Charlie Kaufman’s stop-motion film about a customer service expert who experiences everyone around him as the same person — literally the same voice, male and female alike — until he meets a woman who is different. Anomalisa is a film about depression, isolation, and the unbearable sameness of a life trapped inside your own consciousness. The stop-motion format, with its visible seams and puppet joints, turns the uncanny into a psychological state made physical.
This is emphatically not a film for children. It contains adult content, adult despair, and adult levels of self-examination. It is one of the most honest films ever made about a particular kind of loneliness that most people feel and almost no films acknowledge.
23. Isle of Dogs (2018)
Director: Wes Anderson | Studio: Indian Paintbrush | Streaming: Disney+, Hulu
Anderson’s second stop-motion film is set in a near-future Japan where all dogs have been exiled to a trash island. The formal pleasures are Andersonian: immaculate compositions, a jazz-and-taiko percussion score, a plot that expands in rings of political satire. The film is also a love letter to Japanese cinema — specifically Kurosawa — rendered with the specific affection of a director who has done his homework.
Isle of Dogs is funnier and more politically pointed than Fantastic Mr. Fox, and its stop-motion craftsmanship is some of the most intricate ever committed to screen. Each frame looks like a diorama built for contemplation.
24. Your Name (2016)
Director: Makoto Shinkai | Studio: CoMix Wave Films | Streaming: Crunchyroll, Netflix
The highest-grossing anime film until Demon Slayer: Mugen Train, and a film that earned every ticket. A body-swap romance between two teenagers — one in Tokyo, one in a rural mountain town — that escalates from charming to heartbreaking to cosmic with structural confidence that makes each pivot feel earned rather than manipulated.
Shinkai’s backgrounds are rendered with hyperreal precision that transforms the mundane into heightened memory. Your Name understands something true about longing: that you can miss someone you’ve never consciously met, that the heart can register a connection before the mind has caught up, that some losses leave marks you don’t understand until years later.
25. Luca (2021)
Director: Enrico Casarosa | Studio: Pixar | Streaming: Disney+
The quietest Pixar film of the last decade and possibly the most purely joyful: a coming-of-age story set on the Italian Riviera about sea monsters who pass as human, a summer of Vespa-racing and gelato, and a friendship that expands both boys’ understanding of who they are allowed to become. Enrico Casarosa’s film carries a clearly articulated queer reading that adult viewers will recognize as intentional, and a universal story about the first friendship that shows you there is a bigger world than the one you were born into.
Luca is lighter than most films on this list. It earns its place here because lightness requires as much craft as weight, and because the specific joy of discovering a friend who sees you completely is not a children’s emotion — it’s one of the most adult things there is.
Frequently Asked Questions
What are the best animated movies for adults that aren’t anime?
The best non-anime animated movies for adults include Grave of the Fireflies (Ghibli, but in the war-film tradition), Waltz with Bashir, Persepolis, Flee, Coraline, Wolfwalkers, Anomalisa, both Wes Anderson stop-motion films, and Spider-Man: Into the Spider-Verse. The Pixar films — WALL-E, Soul, Up — also operate on adult frequencies that deepen significantly with age. The best animated movies for adults aren’t limited to one tradition.
Are Studio Ghibli films appropriate for adults?
Absolutely — many Ghibli films are specifically adult films that children can also access at a different level. Grave of the Fireflies is a war film that most children will find traumatic and most adults will find profound. Princess Mononoke is a political film about industrialization, environmental destruction, and the impossibility of clean moral positions. The Wind Rises is a film about complicity, ambition, and loss that requires adult experience to fully receive. Hayao Miyazaki has said repeatedly that he makes films for everyone — but Ghibli’s catalog contains films that operate primarily as adult cinema.
What is the best animated movie for adults to watch tonight?
If you want emotional devastation: Grave of the Fireflies (Max, Netflix). If you want psychological thriller: Perfect Blue (Funimation). If you want the greatest animated film ever made: Spirited Away (Max, Netflix). If you want something formally extraordinary: Spider-Man: Into the Spider-Verse (Netflix). If you want something quieter and beautiful: Wolfwalkers (Apple TV+) or The Tale of Princess Kaguya (Max). If you want animation that functions as live-action documentary: Waltz with Bashir (Kanopy) or Flee (Hulu).
Where can I stream the best animated movies for adults?
Max has the full Studio Ghibli catalog — Spirited Away, Princess Mononoke, Grave of the Fireflies, Nausicaä, The Wind Rises, Kaguya, and more. Disney+ has Pixar’s catalog. Netflix also carries the Ghibli films. Crunchyroll is the best destination for anime including Perfect Blue, Paprika, and Akira. Criterion Channel and Kanopy carry Persepolis and Waltz with Bashir. Tubi offers free streaming of Paprika and Persepolis. Apple TV+ is the exclusive home of Wolfwalkers. Hulu has Flee.
Are Pixar movies actually good for adults?
Yes — and the best ones are films that operate differently at different ages. WALL-E is a G-rated environmental horror film. Soul is a meditation on whether the life you’ve been living was enough. Up front-loads four minutes of marital life and loss that no child can fully process. Turning Red is specifically about puberty, maternal enmeshment, and the grief of discovering your parents are fallible. These films are not dumbed-down adult content. They’re structured so children experience one film and adults experience another, simultaneously, using the same images.
Animation Is a Medium, Not a Genre
The best animated movies for adults don’t ask you to forgive them for being cartoons. They were animated because only animation could have told that story in that way — because no live-action camera can render the interior logic of grief the way Grave of the Fireflies does, because no location scout could find the spirit world of Spirited Away, because the seams on Coraline’s puppet face are the source of the film’s horror and couldn’t have been achieved otherwise.
Animation gives filmmakers unlimited formal freedom. The best animated movies for adults use that freedom to go places live-action cannot reach — and the result is some of the most emotionally precise cinema of the last century.
Start with Spirited Away if you’re new to this. Or start with Grave of the Fireflies if you want to understand immediately why this list exists.
Related reading: Best Animated Movies of All Time | Best Sci-Fi Movies of All Time | Best Fantasy Movies | Best Movies on Netflix Right Now